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The Thing (BFI Modern Classics), by Anne Billson
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An alien entity that can take any living form invades an isolated scientific research station in the Antarctic. John Carpenter's The Thing is best known for some of the most startling visual effects--surreal, lurid, shocking perversions of the human body --ever committed to celluloid. At London's National Film Theatre in 1995, Quentin Tarantino named The Thing as one of his favorite films. Yet when it was released in 1982, it fared badly against another alien encounter movie, E.T., and critics panned it. But The Thing has aged well, and its influence can now be detected in everything from Seven to Red Dwarf and The X Files.
In her elegant and trenchant study, Anne Billson argues that The Thing has never been given its due. For Billson, it's a landmark movie that brilliantly refines the conventions of classic horror and science fiction, combining them with humor, Lewis Carroll logic, strong characterizations and prescient insight. The idea of an alien species mutating and inhabiting humans resonates all too chillingly with the mad cow disease crisis and today's new and ever more powerful genetic technology.
- Sales Rank: #1376765 in Books
- Published on: 1997-10-01
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x .25" w x 5.25" l, .0 pounds
- Binding: Paperback
- 96 pages
Review
"A stunning account of the facts and theory behind Carpenter's classic yuckfest." -- Empire
About the Author
Anne Billson is the Sunday Telegraph's film critic. She is the author of the novels Suckers and Stiff Lips as well as several works of nonfiction.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A breezy read, though not terribly deep
By John S Harris
Bilson is obviously a fan of the film. This isn't one of the more in-depth or scholarly analyses in the BFI series, but it does make a good companion piece to the film (and to the 1952 "The Thing From Another World" film version of the short story - "Who Goes There?" - that Carpenter's 1982 film is based on).
In a nutshell, Bilson asserts that the film critics who panned the film upon its initial release completely missed the boat and the point. This film was original in so many underappreciated ways, and it remains to this day a standard-bearer.
The author explores the idea that the titular Thing may as well be, for all intents and purpose, female. That, and that Carpenter and screenwriter Bill Lancaster were both very brave and correct to dodge conventional Hollywood wisdom by casting the film with all-male and mostly lesser-known actors, and that the timing of the making of the film thankfully preceeded the political-correctness period that now practically mandates a Rainbow Coalition of skin colors. Clearly, Carpenter was focused solely on the story, and kept all other interferences at bay.
One of my favorite assertions that Bilson makes, and I am certainly in agreement with her, is that if the AFI list of Greatest Film Quotes of All Time allowed for profanity, "The Thing" would be well-represented!
This isn't the most thought-provoking BFI entry, but it is affectionately written, for sure, without being kissy-kissy.
I still love this book series, however. I always ask for a BFI book for my birthday. Next BFI books up for me: "The Shawshank Redemption", "Crash", and "The Thin Red Line".
Stay tuned.
4 of 4 people found the following review helpful.
Another proud addition to the BFI series.
By A Customer
The BFI sometimes pick the wrong writer to cover certain films for their Film Classic series. Anne Billson is one of the better writers. She doesn't confuse the reader and covers the film from start to finish. The only draw back is that it does sometimes seem that she is just recounting the story, using her own words to add tension, but she does make up with some interesting commentary.
8 of 8 people found the following review helpful.
Anne Billson's fine critique of John Carpenter's The THING.
By A Customer
As a devoted fan of John Carpenter's The THING, I was thrilled to come across Anne Billson's definitive tome about Carpenter's greatest film. Here Ms. Billson eloquently defends what she deems a horror classic. Describing the film scene by scene and injecting a lot of personal theory, Anne Billson has lovingly penned a tribute to the best monster movie of the last 30 years. A must for any fan of John Carpenter and horror films. Only Paul M. Sammon's wonderful Future Noir comes close to equalling the excellence of Billson's book.
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